Imagine: The only child who pokes holes in her parents' condoms to get herself a sibling. The social outcast -- who seeking a day off from school -- tries to break her leg on the stairs. The underage smoker who tapes her school picture to her father's expired driver's license. The inexperienced driver who wrecks the family station wagon in the driveway and stages the scene to look like a bicycle accident. My repertoire of failed plots and harebrained schemes leaves characters like Lucy Ricardo and Mary Clancy -- mother of the scathingly brilliant idea -- with something wanting. Plotting is something of an addiction, really. And even now -- having been foiled in every dastardly deed -- I frequently entertain the most ridiculous scenarios perhaps to make life more interesting. But here's the thing -- the single most important tenant of plot-building -- less is more. Bold and beautiful schemes are a blast to ponder, but near impossible to execute. The Forge...